Music

Student Learning Outcomes

Students who complete the BM, BME, and BA degrees music degrees will:

  1. Demonstrate the ability to understand and use the basic theoretical elements of music.
  2. Demonstrate knowledge of the development of musical genres and traditions in both Western and non-Western cultures.
  3. Demonstrate the ability to perform at an advanced level on a major performance medium and with proficiency on secondary instruments, displaying an understanding of styles representative of specific composers and historical periods.
  4. Demonstrate the ability to collaborate in applied lessons, ensemble rehearsals, and performances.
  5. Demonstrate professionalism in the following areas: initiative, self-discipline, time- management, preparation, and pedagogy.

    In addition to the learning outcomes above, teacher candidates who complete the BME program will also succeed in the following areas:

  6. Use knowledge of curriculum, learner differences, and ongoing assessment data to plan for student access to same essential content.
  7. Utilize a variety of strategies to differentiate instruction and provide an academically challenging environment for all students.
  8. Use systematic formal and informal assessment as an ongoing diagnostic activity to measure student growth and to guide, differentiate, and adjust instruction.
  9. Display a professional commitment to the teaching philosophy of differentiated instruction to support students’ diverse learning needs and to maximize learning.

Admission Policies

Prospective students must meet the general admission standards of Reinhardt University on pp. D1-2.

Students who desire a major in music or theatre must arrange to audition for the faculty by contacting Ms. Shari Craddock at sota@reinhardt.edu or by calling 770-720-9172.

Potential music and musical theatre students must pass an audition in their performance areas. Potential musical theatre students along with theatre students must perform a monologue during the audition. Information on the application and audition processes may be obtained from the School of the Arts. The prospective music or theatre major is formally admitted to the School of the Arts only after all requirements have been met, which include two letters of recommendation.

Students majoring in Music Education must meet all the entrance requirements for the Price School of Education. All information regarding entrance requirements, goals and objectives, and issues related to licensure will be found in the Music Student Handbook.

Advising

The Dean for the School of Performing Arts advises each new freshman and transfer student. A permanent advisor will be assigned during the first semester of study. Students are encouraged to make regular appointments with their advisors. The school provides a graduation checklist for each student. The student and the advisor will make regular use of this checklist as the student progresses toward completion of a degree program. Students are encouraged to keep an up-to-date checklist because the completion of all graduation requirements is each student’s responsibility.

Applied Music Exams

All music majors enrolled for private study in applied music are required to perform on an applied examination before the appropriate music faculty at the end of each semester of study. Students will be evaluated on the level of performance for the current semester in addition to the overall level of achievement. The results of the applied exam will play a significant role in determining a student’s continued enrollment in a music degree program. Students presenting a junior or senior recital must present a recital hearing at least four weeks before the scheduled recital date. Based on the hearing results, the music faculty may recommend the recital be canceled, postponed, repeated in part or as a whole, or performed as scheduled. Students presenting a junior or senior recital are exempt from the applied exam for the semester during which the recital is performed.

Music Education (P-12)

Students must be admitted to the School of Performing Arts and the Price School of Education and meet all specific graduation requirements from both schools. The P-12 program in Music Education leads to a B.M.E. degree. The Music Education degree is accredited by the Georgia Professional Standards Commission and leads to teaching certification in the state of Georgia.

Degrees and Certificates

Courses

MUS 105: MUSIC APPRECIATION

Credits 3
This course is designed to develop and improve a student’s listening skills through exposure to various types of Western music. Along with musical styles and procedures, influences from other historical and cultural events will be included and discussed. The course goal is to provide students with understanding and enjoyment of traditional music as a permanent life enhancement.

MUS 108: JAZZ APPRECIATION

Credits 3
Jazz Appreciation is an exploration of the defining elements of jazz, its origins, the structure and style, and the contributions of its most influential practitioners.

MUS 120: FUNDAMENTALS OF MUSIC

Credits 1
Review of the fundamentals of musicianship. Required for students who do not receive a grade of C or higher in MUS 143

MUS 130: FUNDAMENTALS OF CONDUCTING

Credits 1
An introduction to the art of conducting, this course will lead students to develop an understanding of the basic vocabulary, gestures and interpretation necessary for conducting music ensembles.

MUS 135: PRACTICAL HARMONY II

Credits 3
This course is a continuation of the study of music theory and aural skills begun in Practical Harmony I. Prerequisite: MUS 134

MUS 142: FUNDAMENTALS OF MUSIC LAB

Credits 0
The Fundamentals Lab for zero credit runs concurrently with MUS 143 for students scoring below 90% on their entrance exam. Any student who fails to pass MUS 143 must take Fundamentals of Music for one hour of credit during the spring semester of the freshman year.

MUS 143: MUSIC THEORY I

Credits 3
This course includes the study of conventional procedures in four-part vocal writing, analysis of chord progressions and smaller forms, sight-singing, keyboard harmony and tonal dictation. The class will meet three times a week.

MUS 144: MUSIC THEORY II

Credits 3
A continuation of MUS 124, this course introduces non-harmonic tones, expanded vocabulary of chord progressions, dominant and supertonic seventh chords, secondary dominant functions and modulations. The class will meet three times per week. Prerequisite: MUS 143 or theory proficiency test

MUS 151: STUDIO CLASS:

Credits 0
This course supplements instruction received in individual applied lessons. Concepts of technique, musicianship, and performance will be covered in a group setting containing all members of a professor’s studio. Corequisite: appropriate section/level of MUA.

MUS 153: AURAL SKILLS I

Credits 1
This course introduces the fundamental principles of ear training and should be taken concurrently with MUS 143.

MUS 154: AURAL SKILLS II

Credits 1
This course is a continuation of the principles learned in MUS 153 and should be taken concurrently with MUS 144. Prerequisite: MUS 153

MUS 155: ABLETON LIVE

Credits 1
Ableton Live is a Digital Audio Workstation (DAW) and is a effective tool for musicians of various styles and skill levels. Students will be introduced to basic concepts of audio engineering, music theory and composition.

MUS 216: MUSIC THEORY III

Credits 3
A continuation of MUS 125, this course introduces chromaticism, secondary dominant and leading tone functions, modulation to foreign keys, binary and ternary forms, augmented 6th chords, neopolitan chords, and diatonic seventh chords. The class will meet three times a week. Prerequisite: MUS 144 or theory proficiency test

MUS 217: MUSIC THEORY IV

Credits 3
A continuation of MUS 214, this course introduces non-dominant altered chords, chords of the ninth, eleventh and thirteenth, Impressionism, and 20th century music. The class will meet three times a week. Prerequisite: MUS 216

MUS 226: AURAL SKILLS III

Credits 1
This course introduces advanced principles of ear training and should be taken concurrently with MUS 216.

MUS 227: AURAL SKILLS IV

Credits 1
This course is a continuation of the principles learned in MUS 226 and should be taken concurrently with MUS 217. Prerequisite: MUS 226

MUS 259: HISTORY OF ROCK AND ROLL

Credits 3
This course will trace the development of Rock and Roll during the 20th Cnetury into the 21st. The principal content starts with the precursors to Rock and Roll in music of the 1920s, 30s, and 40s, as well as the distinct influences that racially-segregated America had on the early stages of R&R in the 1950s. After discussing the emergence of R&R in the 1950s and the early stylistic trends, much attention will be played on the explosion of styles and subgenres in the 1960s. This will create several threads that carry the course through the remainder of the century into a view of the present day.

MUS 298: SPECIAL TOPICS

Credits 3
This course, which explores a topic of contemporary interest to the study of music, is offered as needed to students with freshman-sophomore standing.

MUS 299: INDEPENDENT STUDIES IN MUSIC

Credits 3
This course, which involves supervised research on a selected topic, is offered as needed to students with at least sophomore standing. Prerequisite: Permission of instructor

MUS 300: FUNCTNL KEYBOARD MUSICIANSHIP

Credits 1
This course will present practical training in sight reading, transposition, modulation, harmonization, playing by ear, open score reading, ensemble playing, improvisation, extemporaneous composition and working with a conductor.

MUS 302: ADVANCED CONDUCTING

Credits 2
This course introduces the philosophies of conducting and the basic principles of group dynamics. It requires knowledge of the fundamentals of conducting instrumental and choral ensembles and provides special emphasis on the development of competencies in score reading and baton techniques. Prerequisite: MUS 130

MUS 310: COUNTERPOINT

Credits 2
This course will explore the principles governing contrapuntal techniques in polyphonic compositions of the Renaissance and Baroque periods. Discussion of 20th Century serial technique will be included. Prerequisites: MUS 217, MUS 322

MUS 312: MUSIC THEORY V: FORM & ANALYSIS

Credits 3
A study of the structural analysis of music with emphasis given to large and multi-movement forms. Students will discover the structural content of music forms from the smallest motives to complete movements. Prerequisite: MUS 217

MUS 315: MUSIC THEORY VI: POST-TONAL TECH

Credits 3
This course will focus on analytical techniques used for atonal and neo-tonal music, as well as provide further instruction on modern and post-modern musical forms. Its placement in the second half of a student’s junior year will align it with Music History II. Prerequisite: MUS 312

MUS 320: RHYTHMIC SENSITIVITY

Credits 2
Course provides understanding of complexities of musical rhythm and develop skills necessary to perform, teach, notate, and take dictation of beginning, intermediate, and advanced rhythmic patterns.

MUS 321: MUSIC HISTORY I

Credits 3
This course is a survey of music history of the Medieval, Renaissance, and Baroque periods. It improves identification skills and aural recognition of stylistic characteristics. It also assists in the student’s authentic performance of music from these periods. Permission of instructor required for non-music majors.

MUS 322: MUSIC HISTORY II

Credits 3
This course is a survey of music history of the Classical, Romantic, and Contemporary periods. It improves identification skills and aural recognition of stylistic characteristics. It also assists in the student’s authentic performance of music from these periods. Permission of instructor required for non-music majors.

MUS 325: WORLD MUSIC

Credits 3
This course introduces students to the traditional music of countries and cultures from around the world. It includes study of samples of the music of southeastern Europe, Asia, Africa, Oceania, Russia, the near East, the Caribbean, and North America.

MUS 360: DICTION FOR SINGERS I

Credits 2
This course encompasses the fundamentals of the singer’s pronunciation of English and Italian. Stu-dents will be introduced to and use the International Phonetic Alphabet. Students are required to read and sing songs in English and Italian.

MUS 361: DICTION FOR SINGERS II

Credits 2
This course encompasses the fundamentals of the singer’s pronunciation of French and German. Students will make use of the International Phonetic Alphabet. Students are required to read and sing songs in French and German.

MUS 370: STRINGED KEYBOARD LIT I

Credits 2
This course will be a chronological survey of works for harpsichord, clavichord, fortepiano, and piano-forte -- the instruments, composers, forms and styles, and significance in music and society. Instruction will be given in the protocol of solo performance.

MUS 372: STRINGED KEYBOARD LIT II

Credits 2
This course will be a chronological survey of works for pianoforte -- the instruments, composers, forms and styles, and significance in music and society. Instruction will be given in the protocol of solo performance.

MUS 373: COLLABORATIVE PIANO

Credits 1
This course will present practical training in collaborative performances at the piano, including stylistic and interpretive characteristics of vocal and instrumental literature of the Baroque, Classical, Romantic and Contemporary periods.

MUS 380: ORGAN LITERATURE I

Credits 2
This course encompasses a survey of the history of the organ and its literature from the 15th Century through the Baroque Period. Instruction will be given in the protocol of solo performance.

MUS 411: ORCHESTRATION & ARRANGING

Credits 2
This course will develop the techniques of writing for various combinations of instruments beginning with small groups and developing into full ensembles. Cross-cultural awareness will be enhanced through reference to idiomatic practices of German, Italian and French composers. Prerequisite: MUS 217

MUS 430: CHURCH MUSIC ADMINISTRATION

Credits 2
This course explores procedures for developing and managing a church music program, including materials, techniques and supervision of choral, instrumental and graded programs. It develops strategies related to budget planning, public relations, personnel/staff and other aspects of administration.

MUS 431: STRUCTURE OF WORSHIP

Credits 2
This course examines the historical development and present structuring of liturgical and free church forms of Judeo-Christian worship. Innovative worship planning is undertaken from historical and contemporary perspectives.

MUS 432: CONGREGATIONAL SONG

Credits 2
This course is a survey of Christian Hymnody and related forms including recent hymns, collections and their utilization in worship.

MUS 450: CLINICAL RESIDENCY SEMINAR

Credits 1
This course is intended to expose students to issues related to student teaching while in clinical residency. Students will participate in lively discussion with peers in similar teaching situations. Students will also examine the edTPA guidelines and documents in preparation for edTPA submission at the end of the clinical residency. Students will create resumes and covers letters for job applications and as well as practice interviewing skills.

MUS 455: GUITAR PEDAGOGY

Credits 2
The course will focus on teaching guitar at all levels from beginning to advanced, as well as provide a pedagogical framework for maintaining a private studio. This course is intended for guitar performance majors only. Students in other majors must have approval from the instructor to take this course.

MUS 460: VOCAL LITERATURE

Credits 2
This course surveys the art song repertoire for the voice. Students will examine scores and listen to recordings of songs from the classical period through the 21st century. Prerequisite or concurrent enrollment in MUS 322

MUS 465: VOCAL PEDAGOGY

Credits 2
This course studies the vocal instrument and its physiology as it relates to singing techniques and instruction. Each student will be assigned a private student to teach for ten weeks of the semester. Junior standing required and a vocal major

MUS 470: ACCOMPANYING I

Credits 2
This course will present practical training in accompanying, including stylistic and interpretive characteristics of vocal and instrumental literature of the Baroque, Classical, Romantic and Contemporary periods.

MUS 471: GUITAR SOLO LITERATURE

Credits 2
This will be a survey of guitar solo literature from every style. Its purpose is to broaden the students listening experiences with historically important literature pertaining to the development of the guitar, its techniques, and its performers.

MUS 472: GUITAR ENSEMBLE LITERATURE

Credits 2
A similar course to Solo Literature, this course will focus on the role the guitar has played in ensemble settings in various styles and time periods.

MUS 473: PIANO PEDAGOGY I

Credits 1
This course will survey various published methods for teaching studio (individual) piano and will explore all aspects of teaching the beginning, intermediate and moderately advanced private student, including recommended repertoire.

MUS 474: PIANO PEDAGOGY II

Credits 1
This course is a continuation of MUS 473. Observation and supervised teaching experiences will be required. Prerequisite: MUS 473

MUS 475: GROUP PIANO PEDAGOGY I

Credits 2
This course will explore all aspects of organizing, teaching, and evaluating class (group) piano instruction at the elementary through intermediate level.

MUS 476: GROUP PIANO PEDAGOGY II

Credits 2
This course is a continuation of MUS 475. Observation and supervised teaching experiences will be required. Prerequisite: MUS 475

MUS 482: SERVICE PLAYING

Credits 1
A study of the practical problems of the church organist. Hymn playing, accompanying, trans-position, sight reading, modulation, and improvisation are covered.

MUS 483: CHORAL LITERATURE

Credits 2
Surveys choral music representing historical forms, era, and styles. Emphasis on literature appropriate for choirs in grades 5-12. Consideration given for balance in programming. Prerequisites: MUS 321 and MUS 322

MUS 485: ORGAN PEDAGOGY

Credits 2
This course will study the methods and techniques involved in teaching the organ to beginning, intermediate and moderately advanced organ students, as well as the fundamentals of adapting the organ to professional performance. Observation and supervised teaching experiences will be required.

MUS 491: SOLO INSTRUMENTAL LIT SEM

Credits 2
This course is a survey of available and appropriate solo performance literature for wind, brass, string, and percussion performance majors. All music periods, composers, and performance protocols will be studied.

MUS 493: CHAMBER LITERATURE SEMINAR

Credits 1
This course develops knowledge of historicallyinformed performance practice and significant works for instrument domains and develops knowledge of the important resources available for exploring chamber music literature and the ability to assemble judicious recital programs.

MUS 494: INSTRMNTL CHMBR MUSIC LIT

Credits 2
This course will study the styles and periods of chamber ensemble music literature appropriate for a variety of ensembles. Instruction will be given in the protocol of chamber music performance.

MUS 495: LG INSTRMNT ENSMBL MUSIC LIT

Credits 2
This course will study the styles and periods of music literature appropriate for large instrumental ensembles. Instruction will be given in the protocol of solo performance with large instrumental music ensembles.